It just appeared to POL Publishing. collections poetry. I have chosen for you and me, 4 poets. Today, I present two of these collections: the Michelle Grangaud, Times crossed, and that of Christian Prigent , Beach weather. The couple is the theme common to texts of poems that I present in this gray, rainy day, what the sunshine. A man, a woman, tralala ... a flirt ... Well no, you're not ... So that we understand, we rely on what was said my friend Le Petit Robert : couple just Cople (1190), which comes from Latin copula , meaning " link, link .
"What is conceived well is expressed clearly, and the words to say it come easily"
Nicolas Boileau, Art poetic , 1674
You hear me coming with my beautiful shoes ... In Michelle Grangaud couples are Bimota (noun + adjective) that resemble their date of appearance in the French language; Christian Prigent, for its part, the link with the weather and the beach. The authors 'hidden' which I will be surprised also speaks of the couple, but their way ... You'll see!
¤ ¤ ¤
Michelle Grangaud THE CROSS OVER TIME, POL, 176 pages
"Reclassifying the words of the French language (ideally: all words) in order appear in writing,
is the goal that I pursue, now, and which provides a pleasant walk through time. "
Michelle Grangaud
is the goal that I pursue, now, and which provides a pleasant walk through time. "
Michelle Grangaud
The magnificent historical dictionary of Alain Rey , published in 1998-and that I have in print Bible-a real treasure! - , Is the foundation upon which all of the work presented in Time crossed has been achieved.
It turns out that what Oulipians call the Bimota (noun + adjective) are very present in this dictionary, dated, and in sufficient quantity to make it possible to draw any form of poems " elementary moral "form invented by Raymond Queneau in the last years of his life, and specifically visual form. Form designed for silent reading (eyes only, with any spare inner ear), reading more than collected another. The basic moral
presented here are vintage , like wine, that is to say that for every all the words that are used (except for function words, articles, prepositions, conjunctions, auxiliary verbs, etc..) originate from one and the same year, at times, but exceptionally few years (ten at most, usually two or three) are combined to form one poem.
The language appears for what it is always a delicious thought. This work centuries of the French language, almost entirely anonymous collective and elsewhere, has undoubtedly, like all other languages is a charming overkill.
It turns out that what Oulipians call the Bimota (noun + adjective) are very present in this dictionary, dated, and in sufficient quantity to make it possible to draw any form of poems " elementary moral "form invented by Raymond Queneau in the last years of his life, and specifically visual form. Form designed for silent reading (eyes only, with any spare inner ear), reading more than collected another. The basic moral
presented here are vintage , like wine, that is to say that for every all the words that are used (except for function words, articles, prepositions, conjunctions, auxiliary verbs, etc..) originate from one and the same year, at times, but exceptionally few years (ten at most, usually two or three) are combined to form one poem.
The language appears for what it is always a delicious thought. This work centuries of the French language, almost entirely anonymous collective and elsewhere, has undoubtedly, like all other languages is a charming overkill.
Historical Dictionary of French by Alain Rey, Le Robert, 1998.
Michelle Grangaud therefore chosen words in the dictionary by Alain Rey, depending on their date of appearance in the French language to put them into a poem, inspired by the form fixed by Queneau invented in 1975. Examples of couples:
"Verge virile" and "Sovereign Pontiff" (1509),
"Fertile Mind" and "secret disease" (1558-1559)
"nonsense" and "Man of Letters" (1580),
"Critical History" and "Idea Fugitive" (1677-1678)
"occult sciences" and "sinister Mine" (1690),
"Salivary Glands" and " Filet Mignon "(1718),
" Alliteration "and" Salt sedative "(1751),
" historical novel "and" Hurly-burly "(1763-1764),
" Public Education "and" Phallus shameless "(1791) ,
"chemical knowledge" and "Insanity" (1801),
"Heckling Night" and "magnetic waves" (1834),
"Proportional" and "Funeral Symphony" (1839-1840),
"Father Christmas" and "Expo" (1855),
"artificial language" and "crazy herb" (1890),
"poison gas" and "Oedipus Complex" (1916-1917),
"narcolepsy" and "Europe Galante" (1925-1927),
"Brothel" and "semiskilled worker" (1931),
"Nudist Camp" and "objective genitive" ( 1933
* Extracts
Weather (meteorology) : from Meteorologia (= talking
celestial phenomena) of meteôros
(= high, high, heavenly / elated, excited / upright, lifted
/ uncertain unstable); of Airo (= rise, exalt
, remove, destroy ...).
Beach : from plagios (= oblique, bent, trans-versal
) gently sloping shoreline, consisting of
debris space of time; beach equilibrium :
surface representing the equilibrium positions
in cases of friction.
Prologue
(Remember Sandycove)
1
Sic: "the time of body made of materials" Come
: in beige or blue channels,
Erre! In Arcadia (hic), nothing is
Glory (Aura) places, sets: wood-tone disappointment there!
For it is neither for Ulysses (Cyclops in the eye
Only) you (HCE? Dedalus?) Or even
Is Ithaca, this place, Sandycove, water
oil on the sand smooth extreme
Ment blue glare. All
(water cabinet, the frayed
Sunglasses cold) wilt, fold: you do not see any
Island or bl OO m nor sails nor glassy
Oil - yet you know everything there is
All (Aegean Kells Erin Anna Livia Plurabelle)
reel cinema in your skull, all that
reborn if you will, yes, should you try.
p.11
2
But no: cy are not names but more or less
Materials, flesh, all rotting odor, boils
of heartfelt, subtle, but below, far In
powder sprayed oblivion?, So
(Zero, nothing, nada), all rolled mud, seaweed
In almost, to finally - decoys meanings. Etwas
(something): this vase where you (you)
c. (O) ies is the foreshore, the strangely mache
E (shipwreck, spawning) - or is it like your grave (ta
dose of reality), silt unnamed (
disfigurement your weight, your reincarnation not
Ta walk you in the same oxidation).
p.12
3 Go, one is (with) you among the cries
Terns (nausea), the fury
frail shit, or spray, wings
(Nausicaa!), rain of feathers - if
You move, a wisp of some numbers, and
Vomit trembles as it does dark
Everything you (meat abolished
things without Edges, roll, rock hooks), denied in this tremendously exciting
ringing round
Billon. Mmmm! Monte unfolds now, courses,
And dying, soul, anemone unreason
Flower paper in the luxurious confusion.
p.13
4 cup of delight that is crowding, Negation
this gentle-blue. Heart lips
Do you feel more than a landslide, you throw
(Memory: spit!) To know your soup expired
In rehashing the dry down, stubborn, the
Surf forgetfulness strikes - Gods As your bones
crust masonry which spins
Down in the unknown is frail, is labile!
p.14
Logue
(beach scenes, 1948> <2008)
I
We put her shorts and let's go
summer, the buttocks are pale
Benjamin Peret
1 (small lift, 2006)
Yes, it scares here, megaphones
gulls (Hymns creak? Volts!) And the appalling
Ment expensively-palpable
Depletion of self in the trem-
ably. Liar blue, pale! Liquor
hate, intoxicate the hearts of bubbles
ulcerated! Word zero, zero mobility.
Ultimate Image: act = piss (joy!)
Your fear, chip thickness, decor or even
These blacks, commas scor
Pawns suspended broom; gorse.
So you're divided, you rule: excitement!
p.19
2 (pan)
"That's life" (sic: when all is said
Or strewn near death, almost) - rumor (Airport) Comma
the thick and shining or is the horn
Moran white pin. Boil gold
Or Salmon to mass swells: grain!
And the beautiful islands in the brightness further,
Where cows, foams, chop, are in
These vapors, clouds, long, glistening breasts.
slope is just comma Nike Pale is the lip
Beach (wound detritus, beautiful!)
chapped emotions of oblique. Armpit
From the cliff informs stinks and bends. Sun
same: it s'écrabouille - The
she drinks, sea, or it smears
And drool, wash, soft line. A noodle
(They said horizon) splits & combines
From the oversized wet
a flounce of jam (raspberry) and autreu
Side (bears, penguins) Degois
Electric blue: you put your shorts and here we go.
p.20
3 (traveling)
Oh, that folk in the pubs of gays banners,
Culture localized rock and apples! But
alcohol center aspen strong light, hop duck!
And this handbag is a cat that moves. Then share
wear, under the drizzling rain and gusts of sugars
Ice in the descent oblique toes
For rock or turn blue at temperatures
Seen pleural effusions. Click: blink of sunshine!
to 0.52 mc'est between spinach and leek or pale
prasina, the taxifolia dégobillées the wound curve
By stretching the language of waves. Then: Dry peat
and vanilla and beige chiffonnerie we
Risquons plants meticulously paler than cron Cron
hulls irritating to the lymph
filled with iodine. In mid: compression of the lungs hacking, teasing
The burst in hair dégominés. Currency
the sky in front of leafy nimbus: Sic transit glaucous
We cursed the estuary. But the cop in the Floc
gadouille plasticities
practices for not tearing the rind to limpets
p.21
Two videos on YouTube help us understand the process of creation of the poet, and better appreciate his work-because it is work, again by relying on none other than Boileau
I invite you to visit regularly (excellent) POL Publishing And why not subscribe to the newsletter ...
On the site, the homepage, you can choose a theme and explore the collection with the Taggraph . Beautiful, fun, practical love. * Extracts
dashes pages in PDF
POL ** To read more excerpts, see the PDF on POL here.
"Verge virile" and "Sovereign Pontiff" (1509),
"Fertile Mind" and "secret disease" (1558-1559)
"nonsense" and "Man of Letters" (1580),
"Critical History" and "Idea Fugitive" (1677-1678)
"occult sciences" and "sinister Mine" (1690),
"Salivary Glands" and " Filet Mignon "(1718),
" Alliteration "and" Salt sedative "(1751),
" historical novel "and" Hurly-burly "(1763-1764),
" Public Education "and" Phallus shameless "(1791) ,
"chemical knowledge" and "Insanity" (1801),
"Heckling Night" and "magnetic waves" (1834),
"Proportional" and "Funeral Symphony" (1839-1840),
"Father Christmas" and "Expo" (1855),
"artificial language" and "crazy herb" (1890),
"poison gas" and "Oedipus Complex" (1916-1917),
"narcolepsy" and "Europe Galante" (1925-1927),
"Brothel" and "semiskilled worker" (1931),
"Nudist Camp" and "objective genitive" ( 1933
If you see some couples scroll arm in arm, some puzzling, to view nose, of course .. In the year 1509 ... How odd couple, is not it?
Extracts
(late seventeenth century)
"In the half-sleep
bombing
appears as a plagiarism of a club Spinozism
materialists"
(1793)
"The leveling of
fortunes is the word
order to assess
the drama of life "
(1803)
" The mayor's secretary
goes its merry way
as the barge
with its propeller steam
"
(1812)
" The Abbess leading a guerrilla war against
the primipara who works as a negro
during the abbess
sleeps the sleep of the righteous "
¤ ¤ ¤
(late seventeenth century)
"In the half-sleep
bombing
appears as a plagiarism of a club Spinozism
materialists"
(1793)
"The leveling of
fortunes is the word
order to assess
the drama of life "
(1803)
" The mayor's secretary
goes its merry way
as the barge
with its propeller steam
"
(1812)
" The Abbess leading a guerrilla war against
the primipara who works as a negro
during the abbess
sleeps the sleep of the righteous "
A page of the book - Beginning XVI e century, 1501-1509:
The unlikely couple "Verge virile "and" Sovereign Pontiff "(1509)," you find? The sequence of words helps us to see clearly ... How inventive! Admirable work of monk ... that exudes joy .**
The unlikely couple "Verge virile "and" Sovereign Pontiff "(1509)," you find? The sequence of words helps us to see clearly ... How inventive! Admirable work of monk ... that exudes joy .**
¤ ¤ ¤
Christian Prigent, WEATHER BEACHES, POL 144 pages.
Christian Prigent subtitled his book "Roman in verse, and indeed it is both a novel, an autobiographical novel in the vein of the last books of the Author (Tomorrow I die, Grandma redcap), and a book of poetry. Let
a day at the beach, the "small rise" to "night" end through "Picnic" and "small four-hours." D
characters spend (kin, daughters coveted internship deities in marine Rococo). Events take place (romance, oil spills, jogging, drowning). One dialogue on some points of morality and aesthetics.
So the novel (though nipped in the bud). But in verse. These worms are measured them (but odd, non-melodic), rhyming (though often comical acrobatics) and distributed hundreds of quatrains.
a day at the beach, the "small rise" to "night" end through "Picnic" and "small four-hours." D
characters spend (kin, daughters coveted internship deities in marine Rococo). Events take place (romance, oil spills, jogging, drowning). One dialogue on some points of morality and aesthetics.
So the novel (though nipped in the bud). But in verse. These worms are measured them (but odd, non-melodic), rhyming (though often comical acrobatics) and distributed hundreds of quatrains.
Weather (meteorology) : from Meteorologia (= talking
celestial phenomena) of meteôros
(= high, high, heavenly / elated, excited / upright, lifted
/ uncertain unstable); of Airo (= rise, exalt
, remove, destroy ...).
Beach : from plagios (= oblique, bent, trans-versal
) gently sloping shoreline, consisting of
debris space of time; beach equilibrium :
surface representing the equilibrium positions
in cases of friction.
Prologue
(Remember Sandycove)
1
Sic: "the time of body made of materials" Come
: in beige or blue channels,
Erre! In Arcadia (hic), nothing is
Glory (Aura) places, sets: wood-tone disappointment there!
For it is neither for Ulysses (Cyclops in the eye
Only) you (HCE? Dedalus?) Or even
Is Ithaca, this place, Sandycove, water
oil on the sand smooth extreme
Ment blue glare. All
(water cabinet, the frayed
Sunglasses cold) wilt, fold: you do not see any
Island or bl OO m nor sails nor glassy
Oil - yet you know everything there is
All (Aegean Kells Erin Anna Livia Plurabelle)
reel cinema in your skull, all that
reborn if you will, yes, should you try.
p.11
2
But no: cy are not names but more or less
Materials, flesh, all rotting odor, boils
of heartfelt, subtle, but below, far In
powder sprayed oblivion?, So
(Zero, nothing, nada), all rolled mud, seaweed
In almost, to finally - decoys meanings. Etwas
(something): this vase where you (you)
c. (O) ies is the foreshore, the strangely mache
E (shipwreck, spawning) - or is it like your grave (ta
dose of reality), silt unnamed (
disfigurement your weight, your reincarnation not
Ta walk you in the same oxidation).
p.12
3 Go, one is (with) you among the cries
Terns (nausea), the fury
frail shit, or spray, wings
(Nausicaa!), rain of feathers - if
You move, a wisp of some numbers, and
Vomit trembles as it does dark
Everything you (meat abolished
things without Edges, roll, rock hooks), denied in this tremendously exciting
ringing round
Billon. Mmmm! Monte unfolds now, courses,
And dying, soul, anemone unreason
Flower paper in the luxurious confusion.
p.13
4 cup of delight that is crowding, Negation
this gentle-blue. Heart lips
Do you feel more than a landslide, you throw
(Memory: spit!) To know your soup expired
In rehashing the dry down, stubborn, the
Surf forgetfulness strikes - Gods As your bones
crust masonry which spins
Down in the unknown is frail, is labile!
p.14
Logue
(beach scenes, 1948> <2008)
I
We put her shorts and let's go
summer, the buttocks are pale
Benjamin Peret
1 (small lift, 2006)
Yes, it scares here, megaphones
gulls (Hymns creak? Volts!) And the appalling
Ment expensively-palpable
Depletion of self in the trem-
ably. Liar blue, pale! Liquor
hate, intoxicate the hearts of bubbles
ulcerated! Word zero, zero mobility.
Ultimate Image: act = piss (joy!)
Your fear, chip thickness, decor or even
These blacks, commas scor
Pawns suspended broom; gorse.
So you're divided, you rule: excitement!
p.19
2 (pan)
"That's life" (sic: when all is said
Or strewn near death, almost) - rumor (Airport) Comma
the thick and shining or is the horn
Moran white pin. Boil gold
Or Salmon to mass swells: grain!
And the beautiful islands in the brightness further,
Where cows, foams, chop, are in
These vapors, clouds, long, glistening breasts.
slope is just comma Nike Pale is the lip
Beach (wound detritus, beautiful!)
chapped emotions of oblique. Armpit
From the cliff informs stinks and bends. Sun
same: it s'écrabouille - The
she drinks, sea, or it smears
And drool, wash, soft line. A noodle
(They said horizon) splits & combines
From the oversized wet
a flounce of jam (raspberry) and autreu
Side (bears, penguins) Degois
Electric blue: you put your shorts and here we go.
p.20
3 (traveling)
Oh, that folk in the pubs of gays banners,
Culture localized rock and apples! But
alcohol center aspen strong light, hop duck!
And this handbag is a cat that moves. Then share
wear, under the drizzling rain and gusts of sugars
Ice in the descent oblique toes
For rock or turn blue at temperatures
Seen pleural effusions. Click: blink of sunshine!
to 0.52 mc'est between spinach and leek or pale
prasina, the taxifolia dégobillées the wound curve
By stretching the language of waves. Then: Dry peat
and vanilla and beige chiffonnerie we
Risquons plants meticulously paler than cron Cron
hulls irritating to the lymph
filled with iodine. In mid: compression of the lungs hacking, teasing
The burst in hair dégominés. Currency
the sky in front of leafy nimbus: Sic transit glaucous
We cursed the estuary. But the cop in the Floc
gadouille plasticities
practices for not tearing the rind to limpets
p.21
Two videos on YouTube help us understand the process of creation of the poet, and better appreciate his work-because it is work, again by relying on none other than Boileau
"O So who, burning with ardor perilous
Run of wit, career thorny
Do not go on without fruit to consume you, take
Neither genius for love of rhyming. "
Nicolas Boileau , The Art of Poetry, 1674
That rhymesters, invading the market will take for the words!
Run of wit, career thorny
Do not go on without fruit to consume you, take
Neither genius for love of rhyming. "
Nicolas Boileau , The Art of Poetry, 1674
That rhymesters, invading the market will take for the words!
you read? Did you see? Then the Sun of the beauty you have!
This, at least, what I wish with all my heart.
Excellent day! See you soon ...
___ This, at least, what I wish with all my heart.
Excellent day! See you soon ...
I invite you to visit regularly (excellent) POL Publishing And why not subscribe to the newsletter ...
On the site, the homepage, you can choose a theme and explore the collection with the Taggraph . Beautiful, fun, practical love. * Extracts
dashes pages in PDF
POL ** To read more excerpts, see the PDF on POL here.
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